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Since the digital revolution began in the latter half of the 20th century with the uptick of computing and communication technology, there has been a drive to make things faster, more efficient and smaller. Scientists have now reached a new frontier, using materials on the nano-scale for technological, medical as well as artistic applications. "Digital Revolution" http://www.jbs.cam.ac.uk/media/assets/2010_podcast_global_digital_revolution.jpg It was interesting to hear the history of nanotechnology from the perspective of Dr. Gimzewski, a leader in the field and a presenter at the previous event I attended: Ecocentric Art + Science Symposium: Prophesies & Predictions. He discussed the impact of Richard Feynman's daring hypothesis that there is plenty of opportunity to manipulate things on the atomic level, the discovery of carbon allotropes by Smalley et al., the invention of the scanning tunneling microscope by Gerd and Heini, self assembling DNA structure

    The overlap between neuroscience and art is an interesting one, and definitely worth exploring. This relationship started rather recently, but is quickly evolving and becoming more and more prevalent. In Dr. Vesna's lecture we see that Santiago Ramon y Cajal was the founder of neuroanatomy and was specifically interested in the connection patterns of neurons by shape (Vesna). Drawing of Purkinje and Granule Cells from Pigeon Ceregellum by Santiago Ramon y Cajal, 1899. http://public.media.smithsonianmag.com/legacy_blog/neurons.jpg     One such modern extension of this interest is microetching. This is a technique where neural junctions are inscribed into metal such as gold with the aim of illustrating the connections of the brain (Drinker). The picture changes based on the position of the observer, which keeps the picture simple enough to analyze while still conveying the inherent complexity of the system.     My experience in the neuroscience world came

    This week's lecture touched on a number of different topics including physical and genetic manipulation of the human body for artistic purposes.  This idea rings true in Oron Catts and Ionat Zurr's Victimless Leather (depicted to the right), which is a work of art in which cells are not only living, but they are also multiplying.  In fact, they were producing at such a rapid rate that the machine would barely hold all of the newborn cells.  This is but one example of how Biotechnology can double as art. There is so much beauty behind science that people often forget about the art behind the innovation.     Another thing that was brought up in lecture was the issue of genetic mutation. Now, this is cause for great concern when it comes to the ethics behind genetic mutation.  In my opinion, we need to be very careful about how we allocate genetic mutation, because if we are not careful, we will end up creating a new race of beautiful, more intelligent, and not to me

    This Thursday I went to Eli Joteva's solo exhibition -- mnemoawari, which is the second of the cycle over the course of three days. The show was themed on the concepts of memory, dream, and how they connect with past, present and future, through her uniquely made artifacts, and what I saw and felt was absolutely astounding. Picture of the exhibition table I took at the entrance of EDA     In the upstairs area she created three beautiful spheres of ice which were suspended by ropes and frozen in layers. Although to be honest, I did not realize they were iced balls at the first sight, because this is what I saw: Pictures I took of the actual iced balls     Since I went to the show on the second day of its cycle, and these iced balls were melting, the outer iced layers were completely gone, according to Eli herself. However to me this was a good thing because at the time I could have a better look at these artifacts in a unique way. The one to the left,

Here is link to my midterm pdf file on google drive. URL: https://drive.google.com/open?id=0BxrlTCyrDWF7ejlLQmFuS0F2R0E